ONE AWARD, TWO COVERS, BELFAST NOIR LAUNCH AND A REVIEW OR TEN.

I did say last time that I’d blog more often.

I did, didn’t I?

Well, I had good intentions. Too bad. I’m here now. Let’s forget about it. Honestly. It’s okay, have a mince pie. No, not that one, the dog’s been at it. Yes, a bit of bleach and that should come right out.

Anyway.

Since my last post a LOT has happened. There was the amazing launch of Belfast Noir…

And my first public reading at that launch….

A quick word or two on reading in public – it’s a lot more difficult than it sounds. ‘Can you do a short reading?’ you’re asked. Of course I can. I’ve been reading since I was a wee boy – no problem – if I wrote it, surely I can READ it. It’s not like I’ve been asked to juggle chainsaws, fling knives at balloons or speak in moderately coherent sentences, no, this reading lark will be a doddle.

It’s bloody hard.

Yes, of course it’s possible to read something out. But looking up at the audience, making it sound good, giving the language its rhythm, not stumbling over words, all of that takes practice. Done well, it’s entertaining, it’s a performance. Done badly it’s the sound of the cold, dead soul of the very nice lady who tells you what you should do if the lovely plane that you’re in should decide to crash into mountain at four hundred miles an hour. You know the one – nobody listens to a bloody word. Airlines should employ crime writers to read out aircraft safety announcements.

            ‘…in the unlikely event of a sudden loss of cabin pressure, for those of you who have upgraded to the Ryanair ‘survival package,’ breathing devices shall be deployed from the panel above you. Those passengers who have not yet upgraded should look under their seats where they will find a set of Rosary beads and a bag with a hole in it. For those of you travelling with small childr…wait…what was that? Did you hear someth…GAAHHHH’

            (silence)

            ‘In approximately one hour we shall be serving our meal; a rather surprising delicacy – served with fava beans and a nice chianti. We hope that you will join us for dinner…’

Anyway, I managed to get through my reading okay. Next time, it’ll be better.

And in case you’re wondering – Belfast Noir is every bit as good as it sounds. Thirteen great stories, and mine. (warning, my story has sweary bits. Practically no sweary bits in The Defence, well, only very, very mild ones. You’ve been warned.)

And in case you missed it….

Here is the UK cover for The Defence

And the German cover with a cool new title – Not Enough Time to Die, which sounds a bit  James Bondy, doesn’t it? I love it.

It’s not long now until The Defence is out in the UK, Ireland, Australia, New Zealand, South Africa, Germany, France, Italy, Holland, Japan, and the other territories I don’t yet know about.

I also have to thank Alison and A, who helped me with this...

My first author video, which I'm rather proud of because Alison and A took the bad look off me and did an incredibly impressive and professional job. 

In case you’re wondering what all the fuss is about, you can read some lovely things that lovely people have said about the book…

Liz Wilkins, had these cool things  to say over on her blog, Lizlovesbooks. 

Crime writer and reviewer Rebecca Bradley also loved The Defence and you can check out her thoughts by clicking here.

And some vine reviews are filtering though on Amazon…

Click here for Amazon Vine reviews

And early reviews are here on Goodreads….

The Defence Goodreads Page

Speaking of Goodreads – the great people at Orion Books are giving away 10 copies of The Defence right here –

The Orion Books Goodreads Giveaway for THE DEFENCE

I know what you’re thinking – he hasn’t mentioned the award yet. The word AWARD is clearly in this blog title. Maybe he’s imagined it?

Well, for about a week I thought I had imagined it. But it’s true, despite my incredulity.

Last week I got word that I’d been chosen by the Northern Ireland Arts Council as one of their ACES Award winners for Literature 2015.

And before you say it – no, I don’t think they’ve realised that I’m a crime writer. Don’t mention it. I mentioned it a couple of times but I think it got away with it. As a crime (cough)…sorry litterarture writer, I shall be heavily involved with the Arts Council and the Seamus Heaney Centre in Queens University Belfast, creating new work, doing a bit of creative writing tutoring (I’ll have to get a tutor to teach me that) and promoting my work and that of my fellow ACES around Northern Ireland. Seriously though, joking aside, I’m really honoured to receive the award. And yes, Northern Ireland Arts Council did know that I was a thriller writer before they gave me the award – I was just having a little joke (I get a bit embarrassed by praise and I seem to have a need to make it humorous). I’m amazed, yet extremely grateful to receive their support and I can’t wait for the work to get started.

Having said that, if you hear tell of the eminent poet, heavyweight killer critic, and Northern Irish literary legend - Tom Paulin, boaking in a taxi, there’s every chance he’s just read my book (see, there I go again).

So next year sees publication – I’ll be launching the book in No Alibis, and a few other choice bookshops elsewhere in the UK and Ireland, and I’ll be appearing at a few literary festivals including Crimefest and more besides. I could tell you more about some of the cool surprises that are planned for next year, but Angela at Orion would snap my neck like a twig.

So, hope you’ve had a great year and my thanks as ever go to my fellow writers, particularly Stuart Neville, Gerard Brennan, Adrian McKinty, Mari Hannah, Nick Quantrill, Mark Edwards, Declan Burke, Susi Holliday, Stav Sherez and Mason Cross, my twitter pals, everyone at AM Heath, everyone at Orion Books, my Facebook supporters, my friends, the Northern Ireland Arts Council, Matt Craig, Clare Costa, Harry Illingworth, Alison and A, all the booksellers who've given The Defence an amazing reception, David Torrens at No Alibis and everyone, especially the wonderful Mrs C, who has given me their support this year.

Thanks folks.

I’ll need that support next year.

Have a happy and peaceful Christmas.

Steve Cavanagh

PS – this is likely to be the last blog post on this site. In January – a brand new website will be launched with cool insider info on Eddie Flynn, the book, and more besides. The blog will move to the new website, where all three regular readers can find me.

THE KINDNESS OF CRIME WRITERS AND MY LOWER INTESTINES: MY FIRST AUTHOR GIG

Busy? Busy? Yes, I’ve been busy. Busy writing, redrafting, editing, eating biscuits, and generally working like crazy on the next Eddie Flynn novel. So I’ve been a little remiss with the old blog posts, something I intend to remedy.

So here is a long overdue post about my first gig as a writer. Even typing that sentence gives me a little thrill. You see, I’m slowly coming around to the notion of actually being a writer. It may be a class thing, I’m not sure. I remember Billy Connolly doing a piece of material about having dinner in a big country house and asking one of the guests what they did for a living.

            ‘Toboggan,’ was the response.

            ‘No, I didn’t mean to ask what you were doing today. I meant what do you do for a living?’

            ‘Toboggan,’ again was the reply.

            The Big Yin thought, quite rightly, that it was his own upbringing which simply wouldn’t allow him to absorb this information. He imagined the professional toboggan enthusiast signing on the dole.

            ‘Occupation?’ asked the man at the dole office.

            ‘Tobogganist.’

            ‘I’m sorry, what?’

            ‘Tobogganist.’

            ‘Give me a second would you?’

            Dole officer rings his boss from the back office.

            ‘Does he have his toboggan with him?’ asked the supervisor.

            ‘No.’

            ‘The poor man must have a speech impediment. Put him down as a tobacconist.’

            (after you’ve read this blog, go and get yourself a Billy Connolly DVD and have a laugh, it’s good for you.)

            I can relate to that sense of incredulity. And there isn’t a kick in the arse between being a writer and being a tobogganist. Both fly by the seat of their pants, out of control for the most of the way and living in constant fear of hitting a tree at any moment. I remember in 2012, when I was writing The Defence, my mates asking me what I was up to at the time.

            ‘I’m writing a novel,’ I mumbled, into my beer.

            ‘You’re igniting a bowel?’

Of course the irony is that later that evening, in the kebab shop, I would engage, rather foolishly, in the process of irritating my bowel. And early the following morning, having consumed many pints of gassy beer and an onion filled kebab the night before, my body certainly possessed all of the raw ingredients necessary to achieve ignition.

Anyhoo.

The gig. Yes, the gig.

            It was at the tail end of August as part of the Openhouse Festival, in Bangor. Like a lot of first time writers, I had envisaged that the first occasion in which I would be called upon to speak in front of an audience would be at the launch of my debut novel, and the audience would largely consist of friends, dragged along with the promise of drink. I hadn’t in a million years thought that I’d appear on the same bill as a Colin Bateman, Stuart Neville and Mark Billingham. When I was invited to do the gig I accepted on the spot. A huge opportunity had been handed to me by much more experienced, much better writers and I would’ve turned up to make their tea.

Then I realised this gig would be in front of a large, paying audience. Well, as you can probably imagine, with or without gassy beer and an onion littered kebab, bowel ignition had now become a serious possibility. To say that I was nervous doesn’t come close. I was nervous enough just meeting the bloody panel, whom I admire enormously, never mind getting on stage and speaking in front of the audience.

I’m actually quite used to public speaking. I’ve done lectures in front of a hundred or more people, I appear in court regularly, I’ve been MC at a number of friend’s weddings – so you’d think I’d be used to it by now. But then I realised the difference. In court, at a lecture, at a wedding, I’m talking about and on behalf of other people.  This would be the first time I’d be speaking about me, and the book. That’s a whole different ball game.

That’s what was making me nervous. So nervous I didn’t tell my friends or my work colleagues that I was doing it and I forbid (actually, I begged very nicely) Mrs C from attending because that would only serve to make me even more anxious. I tried to pinpoint what it was that made me so afraid, and I realised that it’s largely because when it comes to writing I’ve no clue what I’m doing.

Not a Scooby.

The date for the gig arrived.

Three things got me through the terror that I had before going on stage that evening. Those three things were Colin Bateman, Mark Billingham and Stuart Neville.

They were exceptionally welcoming, they totally put me at my ease, we talked about books and food, gigs, the industry, and they supplied me with a good deal of alcohol before I had to go on.

During our panel session, Mr Neville and Mr Bateman carried my sorry ass, and I even managed to answer a few questions, got a few laughs from the audience (intentionally, mind) and gave away a few books. Then it was time for Mark to take the stage. He was amazingly funny and spoke so intelligently about his work, the genre and the profession. One thing I learned about Mark that evening, he has fabulous timing. No wonder he does stand-up, with timing like that he should be on telly as a comic.

So, I survived and, I thoroughly enjoyed it. I spent a great evening in the company of three brilliant writers. I can’t wait to do it again.

And now I know the secret to getting over my nerves – booze and a little kindness.

If you were at the gig and you picked up one of these beauties…

 ….and on the off chance you’ve read it and enjoyed it - tweet me at @SSCav.

More blogging McBlog bloggy things to come soon… including a piece on Belfast Noir and the brilliant proofs of The Defence that are finding their way into the world.

Until then, be good. Or bad. Whichever one pleases you and involves lots of chocolate biscuits.

Ta.

Blog Tour - My Writing Process

 

A little while ago I was delighted to hear from Rob Pateman, who tagged me into the blog tour on ‘the writing process.’

You can check out Rob’s answers here.

Rob and I are lucky enough to be represented by the same literary agency and we have the very same Editor at Orion in the shape of the brilliant Jemima Forrester. Rob writes as RS Pateman and his debut novel THE SECOND LIFE OF AMY ARCHER, will have its paperback release on 24^th April. In case you didn’t catch it in hardback now’s your chance. The book has a fantastic premise and Rob’s writing has a real emotional resonance that will keep you turning the pages.

Highly recommended folks.

So my thanks to Rob for the nod, here we go.

 

WHAT AM I WORKING ON?

At the moment I’m awaiting the copy edits on my first book, THE DEFENCE, and I’m hard at work on the second book in the Eddie Flynn series. At the time of writing this piece I’m about a third of the way through the first draft of that book. There’s not much I can tell you at the moment, as it’s still very much in its infancy. I’ve been reading a lot of stories and blogs about “that difficult second book.” If you’ve read Rob’s post above, you’ll know just how difficult it can be. I did find one piece of advice on the interweb that resonated with me. It was a comment on Stuart Neville’s old blog when he posted about writing his second novel and the rather brilliant Declan Burke offered some great advice. Declan said that there is no such thing as a second book; these days, in this publishing market, every book is your first book. Incidentally, Mr Burke’s latest – Crime Always Pays, has just been released and Stuart Neville’s new book, The Final Silence, will be released shortly. You should look into both; two great writers at the top of their game. And while I’m at it, congratulations to Stuart for the recent Barry nomination for Ratlines.

 

HOW DOES MY WORK DIFFER FROM OTHERS IN THE GENRE?

My books are legal thrillers set in the US. A lot of legal thrillers, and very good ones at that, begin with a murder and then an investigation with most of the drama happening around a third of the way into the book when the trial begins. Typically the hero is a high-flying corporate attorney who is whiter than white and believes in truth, justice and playing fair. The whole book is a build up to that ultimate question – guilty or not guilty.  

There are half a dozen great writers that take that basic legal thriller premise and do amazing things with it. How could I hope to compete with those writers? The truth is, I can’t; they’re better writers than me.

My answer was to rip up that basic premise and start again from scratch. While I don’t want to give too much away, I can tell you that THE DEFENCE will, hopefully, be unlike any courtroom thriller you’ve ever read. I’m trying to put my own stamp on the genre by tearing up the usual narrative form. My Dutch Editor says that THE DEFENCE is like “24” with Jack Bauer as a lawyer. If I’ve accomplished what I set out to do then the book should read like a breakneck, tension-filled courtroom thriller that makes you think. There’s a ‘story within a story’ element to the novel, which I’ve not spoken to anyone about yet; it’s very subltle, but if you look for it, and you follow the white rabbit, you’ll find it. But you can just read it purely for the thrills and twists. Hopefully, at certain points, Eddie will make you reconsider what you thought you knew about the justice system, and maybe even look at things in a different light. In that way, I’m hoping that THE DEFENCE will stand up to more than one read.

I suppose the main thing about my writing that will stand out is the main character, Eddie Flynn. Eddie possesses a truly unique set of skills that hasn’t been seen before in this genre and I’m really hoping that readers warm to him.  

 

WHY DO I WRITE WHAT I DO?

One day I was in the middle of a trial, cross-examining my opponent’s witness. I had a whole strategy worked out. First I would go in hard and aggressive and get the witness on the back foot. This part of the cross examination would deal with a minor, but important point in the case. After fifteen minutes of tough, quick, aggressive questioning, I relaxed. I paused. Took a drink of water. Flicked through the case file in front of me. Leaned back in my chair, fixed my gaze on the ceiling and breathed out heavily as I asked one simple question. It sounded like a throwaway question, like it was unimportant, like I was conceding something in the guy’s favour before moving on to more important issues in the case. The witness grabbed the opportunity to wrestle back control of the evidence and stated his answer firmly, unequivocally, hammering home his evidence without any prompting from me. That was the answer that sank the witness completely; he’d sealed his own fate. As soon as I had my answer I realised that I’d pretty much conned that guy. Albeit, I conned him into telling the truth and inadvertently admitting that he’d been lying in his witness statement. Only I hadn’t really conned him; I’d used a tried and tested advocacy technique that any first year advocate could perform.

Nonetheless, it struck me at that moment that a lawyer and a con artist share almost exactly the same skill set.

And words are their weapons.

Eddie Flynn was born in that moment.

My books explore the question of truth in an adversarial system of justice and whether it has a place or even a relevance. In reality, judges and juries don’t decide what is and what isn’t true – they decide whether an evidential test is met by the prosecution, that’s all. I see Eddie Flynn’s journey through the series as a quest, but he’s not looking for truth, he’s looking for redemption.

 

HOW DOES YOUR WRITING PROCESS WORK?

I’ve been asking myself that same question. First of all, I’m not entirely sure you can call it a ‘process’ and secondly whether it works or not largely remains to be seen. In an attempt to get something written about this, I tried to analyse what it is that I do in order to get words on a page. The first thing I do is brew coffee. I start writing around 10pm and I stop when my head hits the keyboard. Come to think of it, there’s considerably more processing involved in the brewing of the coffee than the formation of the novel.

I don’t outline anything.

I get an idea and I kick it around in my head for a long time. When I begin writing a book I will redraft and redraft until I have the beginning nearly perfect. I won’t go past the first 30 pages until I’m relatively happy with them. Sometimes that feels like you’re spinning your wheels and not really getting anywhere, but I’m happy to do that.

In my experience to date there has been no tangible pattern to the writing. For example, the first paragraph of The Defence is unchanged from my first draft. I wrote that paragraph in maybe twenty minutes and I haven’t felt the need to change it even though it was the first creative writing I’d done in 15 years. The next 30 or so pages took six weeks to get right before I could move on. With my second novel, I took two weeks to write the first page and a half and a month to get the next thirty pages right. Now I’m on solid ground I go for it and I don’t look back until the whole first draft is finished. I think if I have the beginning almost perfect I’m much more confident to just plough on, knowing that I have a strong starting point which gives a central spine to the story and also sends up a beacon for the final scenes in the book.

By the way, the first page and a half of the next book gave me – 1) a slightly different voice than the last book 2) a huge additional narrative engine that launches the reader head first into the story and will keep them turning the pages  3)  With my best estimate, at the moment, working purely from what’s in my head, those 500 words set up three surprise twists and give me multiple possible endings.

So the start of this book gives me both focus on the story and the characters and yet it also allows me some freedom with the plot.

I’ve only ever written one short story, which will appear in the Brooklyn based Akashic Books latest Anthology – Belfast Noir. That story took maybe two nights. It just sort of arrived fully formed.

So that’s it. I’m handing over now to three great writers who will be posting next week about their writing process.

 

First up is a legend in Northern Ireland Crime Fiction – Gerard Brennan. At various points when I’m reading Gerard’s work I have to put down the book and smile, because nobody gets close to this guy for dialogue – it’s just so incredibly sharp. Every time I read him I think ‘Elmore Leonard,’ (and yes, he really is that good). Why not try out The Point, on Kindle, for free, and see what I’m talking about. And don’t forget, Gerard also has a short story in the upcoming Belfast Noir, alongside Lee Child, NEW YORK TIMES BESTSELLING AUTHOR Brian McGilloway (*winks to NEW YORK TIMES BESTSELLING AUTHOR Brian McGilloway*), Glenn Patterson, Claire McGowan, Lucy Caldwell, some guy that nobody’s heard of called Steve Cavanagh, and many more…

 BIO -  ‘Gerard Brennan's short stories have appeared in numerous anthologies, including The Mammoth Book of Best British Crime. He co-edited Requiems for the Departed, a collection of crime fiction based on Irish myths. His novella, The Point, was published by Pulp Press in October 2011 and won the 2012 Spinetingler Award. His debut novel, WEE ROCKETS, was published by Blasted Heath in 2012. He is currently working on a creative writing PhD at Queen's University Belfast.’

http://crimesceneni.blogspot.co.uk/

Follow Gerard on twitter @gerardbrennan

 

Next up is Eva Dolan.

Her debut novel is Long Way Home, a police procedural with a brilliant and unusual setting. The lead characters are DS Zigic and DS Ferreira of the Peterborough Hate Crimes Unit and they get more than they bargained for when they begin investigating the murder of a migrant worker. It’s crime fiction at its best – two great ‘outsider’ characters and a brilliantly realised setting that provides for a gripping story whilst exploring contemporary issues. The writing is top class and it’s no wonder that Eva was previously been shortlisted for the Debut Dagger at a ridiculously young age.  Read the first chapter and you’ll find yourself immediately at home with her dark, rich and assured prose, so make sure you check out Long Way Home. You hear that? That dripping sound? That’s talent - running out of her ears.

BIO - 'Eva Dolan writes books and plays poker and the rest of her time she just wastes.'

 

http://loiteringwithintent.wordpress.com/

Follow Eva Dolan on Twitter @eva_dolan

 

Last up is Jason Dean.

A few years ago I read Jason’s debut – The Wrong Man, which introduces series character James Bishop. Ripping through that book in a couple of days I knew Bishop would be sticking around for a long time to come. The first chapter of The Wrong Man is still one of my favourite openings to a thriller in the last 10 years, and the rest of the book lives up to that fabulous start. The latest James Bishop short story is free on Kindle at the moment, so there’s no excuse for not checking it out.

BIO 0 ‘Jason Dean is an English author of American thrillers, who spent most of his professional life as a graphic designer before deciding to try his hand at writing. His debut novel, THE WRONG MAN - the first of a series starring his ex-Marine protagonist James Bishop - was picked up by Headline and published in 2012. This was followed in 2013 by BACKTRACK, and the third Bishop novel, THE HUNTER’S OATH, will be released in June 2014. Jason now resides in the Far East with his wife and dog and is currently at work on the fourth Bishop novel.’

http://www.jasondeanbooks.com/

Follow Jason on Twitter at @Jasondeanauthor

A final note to the above authors, who all sent me images, I'm afraid technology defeated me.  

 

 

 

365 days until publication

 

In exactly one year’s time you, yes I mean you, oh blessed reader-of-impeccable-taste, will be able to pop into your local bookshop and buy a copy of my debut novel, THE DEFENCE, published by the good people at Orion Books.

With a year to go there is still much to be done to the book. It still has to be copy-edited, proof-read, blessed by a dozen priests, washed, combed, de-loused and have a bat-shit-crazy-cool cover slapped on it before it can be released into the expectant world.

Will it survive when it is released from captivity? That is up to you, lovely reader (you’re looking’ so well, by the way) and it’s up to all the lovely readers out there (you’ve lost weight, haven’t you) who dwell in lovely reader land. Between now and publication day there will be more details released about the novel and the series. Yes, THE DEFENCE is the first in a series of novels featuring former con-artist, turned trial lawyer, Eddie Flynn.

The book is a legal thriller, but not in the way you might expect.

Genre is a funny thing. And sub-genre is an even funnier thing.

For example, John Grisham and Scott Turow are both classified, in the main, as writers in the Legal Thriller genre. Yet their work could hardly be more different.

Scott’s books could be better described as courtroom procedurals. Whereas Grisham mainly writes thrillers which feature lawyers and some of his more popular novels don’t involve court cases at all, eg. The Firm.

When I was writing THE DEFENCE I came across an interview with another one of my favourite writers, Jeffrey Deaver. Jeff used to be lawyer, and a damn good one at that, but he really wanted to be a writer. During his long commute on the train he would write on one of the early laptops (by all accounts a huge, unwieldy device which weighed upwards of 20lbs). One of Jeff’s earlier books was a legal thriller, but he found writing the book very difficult.

For those of you who aren’t completely familiar with Jeff’s work (and why not?) he created the Lincoln Rhyme series and is widely regarded as a master thriller writer who plots out his novels with extensive outlines before writing a single word of prose. Every Deaver fan knows exactly what they’re going to get with one of Jeff’s novels – it will move like lightning, all of the action will take place over a short space of time, there will be intricately plotted twists and turns that dazzle the reader and keep them guessing until they get to the surprise ending, and then the next surprise ending, followed, for good measure, by a third surprise ending.

In the article I found, Jeff said that the type of book he likes to write (fast-moving, ticking-clock novels filled with great action and nail-biting tension) do not lend themselves easily to a legal thriller.

When I read that, I realised that I was writing the book that Jeffrey Deaver thought would be very difficult to write. Jeffrey Deaver. The man. Damn.

A lot of coffee, alcohol, and head scratching commenced. However, I decided to stick with it because while Jeff said writing a novel like that would be difficult, he didn’t say it would be impossible. And, to be honest, I wasn’t terribly worried about the book being accepted by a publisher, at that time I just wanted to write the book.

What I set out to do with THE DEFENCE, was to create a nail-biting, ticking-clock, courtroom thriller that kicks off like a Shelby Mustang and accelerates for 400 pages. Now, to say that that was my plan is a bit of misnomer in that it wasn’t exactly planned. In fact, planning didn’t come into it. It just sort of happened that way. Because that was the book that I wanted to write.

So I was very pleased when my Dutch Editor described the book as -  24 with Jack Bauer in the courtroom.

So mark your calendars please, lovely reader, in 365 days it will be released in the UK and Ireland, followed by Canada, New Zealand, the Netherlands, Italy, Germany and Japan and more territories to follow, I'm sure.

And do come back in the meantime – there will be competitions and giveaways between now and then. And probably some more ramblings from me.

If you’re feeling generous, don’t hesitate to pre-order on Amazon, or support your local bookshop by giving them a ring and ask them to order it for you.

And so it was.

I’m away now.

And when I return, I shall come back.

@SSCav